Persistence Theatre
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    • 2017-2018 >
      • Isle of Demons (Sept 2017)
      • Pink Tie Gala (2017)
      • Offensive to Some (Dec 2017)
      • Women Playing Hamlet (Feb 2018)
      • Isle of Demons (April 2018)
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    • 2018-2019 >
      • Pink Tie Gala (2018)
      • Original (Nov 2018)
      • Offensive to Some (Jan 2019)
    • 2019-2020 >
      • The Abortion Monologues (2019)
      • Pink Tie Gala (2019)
      • The Haunting of Margaret Duley >
        • Teacher's Guide
        • Workshops with Edward Daranyi
      • Working with Respect Conference
    • 2020-2021 >
      • Original (2021) >
        • Programme
      • Offensive to Some (2021) >
        • Programme
      • What Hangs in the Balance (2021)
      • I AM A GENIUS DOES ANYONE HERE KNOW ME? (2021)
    • 2021-2022 >
      • Votes for Women 100
      • Pink Tie Gala (2021)
    • 2022-2023 >
      • The Abortion Monologues (2022)
      • 2022 Pink Tie Gala
    • 2023-2024 >
      • Stolen Sisters
      • Rainbow Tie Gala
      • Precariously Placed: Pandemic Monologues from the Edge
    • 2024-2025 >
      • Today I...
      • Year of the Arts Women's Play Festival >
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        • Night Two
        • Night Three
        • Night Four
        • Night Five
        • Night Six
        • Night Seven
        • Night Eight
        • Night Nine
        • Night Ten
        • Night Eleven
        • Closing Night
      • Goodbye Glass Ceiling - An Election Night Celebration
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        • Pink Tie Gala Programme
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get tickets for night six

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Coming Full Circle 
Written by Sophie Angnatok
Directed by Louise Moyes

Runtime: 60 Minutes​


Synopsis:
A new one-woman show by Inuk drum-dancer, throat singer and storyteller Sophie Angnatok, from Nain, Nunatsiavut that looks at her relationship to her grandmother, to throat singing, and to her Inuit culture. Told through projections, stories, dance, and drum, Angnatok will also be accompanied by her throat singing partner Ashley Dicker.

About the playwright: 

Sophie Angnatok (Anna-tok: Meeting of Women) Sophie Angnatok is an Inuk throat singer and drum dancer from Nain, Nunatsiavut. Inspired by a newspaper clip of her Anasiak Elizabeth Andersen (grandmother), Sophie has been practicing the art of throat-singing and traditional Inuit drumming for two decades. She is currently part of the Inuit drum dance group Kilautiup Songuninga (Strength of the Drum) and has been since 2010.

In 2023 they were featured on the Mainstage of the St. John’s Folk Festival, as Sophie’s Grandmother Elizabeth and Aunt Susie Onalik were in 1984. In 2024 Sophie and her throat singing partner from the group, Ashley Dicker, opened the Folk Festival on the Mainstage. Sophie is the inaugural recipient of the Chris Brookes Memorial Award for “artists effecting positive change in the world.” She has performed for diverse audiences locally and across the country in many festivals, community functions, and arts-based events. Sophie has performed for the Canadian Prime Minister during The Truth and Reconciliation apology for Labradorimut and for the Governor General of Canada, Her Excellency the Right Honourable Mary May Simon. Sophie currently lives in St. John’s, Newfoundland where she plays an active role with her local urban Inuit community. She is currently working with the Kim White and Louise Moyes Docudance inclusive project Let’s See (Digital Now, Canada Council) to develop her own solo show, Coming Full Circle, funding by ArtsNL. Sophie often shares her love and knowledge of Inuit culture, teaches workshops and is a leader in her practice.


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About Time: A Journey of Self-Discovery & Change
Written by Vanessa Cardoso Whelan
​
Cast: 

Joana Cupatia
Melissa Williams 

Runtime: 30 Minutes
​

​Synopsis:
Through the main character, Viva, this play includes a thought-provoking exploration of women's mental health, the complexities of navigating societal expectations, and a journey of self-discovery and transformation.

About the playwright:

Hailing from Brazil, Vanessa Cardoso Whelan (she/her) is a playwright, multidisciplinary artist, and clown with a passion for contemporary theatre and body movement. Graduating in Theatre Arts in 2004, she has performed with several artistic groups on stage, and in street productions as an actress, and dancer.

Vanessa has been actively engaged in the local arts scene since moving to NL in 2014. She likes to give her art back to the community, doing volunteer workshops and performances for new Canadians/refugees and non-profit organizations, because of that and other achievements, Vanessa received the 2023 Inspiring Immigrant Woman Award from We Care Foundation.

​Inspired by nature, Vanessa loves the mountains on the west coast of Newfoundland, it reminds her of home.


SPONSORED BY:
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St. John’s is home to a rich, diverse, and vibrant urban Indigenous community. Located on the ancestral and unceded territory of the Beothuk, the lands and waters in and around the City have traditionally served as a gathering place for the Mi’kmaq. The broader region of Newfoundland and Labrador continues to be home to diverse Indigenous Peoples, including First Nations, Inuit, and Métis. We honour and pay respect to the past, present, and future caretakers of these territories.

We also must acknowledge the labour theft extracted from people of African descent, used to build European wealth and economies globally, and in the Canadian nation state, including Newfoundland and Labrador’s shipbuilding and cod fishery industries, through the violence of trans-Atlantic enslavement.

We thank both First Light and the office of the Vice-Provost of Equity, Diversity, Inclusion and Anti-Racism at Memorial University for crafting and sharing these words that provide us with important perspectives.

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  • Home
  • The Armine Nutting Gosling Statue in Bannerman Park
  • About Us
    • About
    • Staff & Governance >
      • Board Bios
    • In The News
  • Donate
    • Join the Ceiling Breakers Circle
    • Donate to PerSIStence
    • Persistence Supporters
  • Past Projects
    • 2017-2018 >
      • Isle of Demons (Sept 2017)
      • Pink Tie Gala (2017)
      • Offensive to Some (Dec 2017)
      • Women Playing Hamlet (Feb 2018)
      • Isle of Demons (April 2018)
      • Play Workshops
    • 2018-2019 >
      • Pink Tie Gala (2018)
      • Original (Nov 2018)
      • Offensive to Some (Jan 2019)
    • 2019-2020 >
      • The Abortion Monologues (2019)
      • Pink Tie Gala (2019)
      • The Haunting of Margaret Duley >
        • Teacher's Guide
        • Workshops with Edward Daranyi
      • Working with Respect Conference
    • 2020-2021 >
      • Original (2021) >
        • Programme
      • Offensive to Some (2021) >
        • Programme
      • What Hangs in the Balance (2021)
      • I AM A GENIUS DOES ANYONE HERE KNOW ME? (2021)
    • 2021-2022 >
      • Votes for Women 100
      • Pink Tie Gala (2021)
    • 2022-2023 >
      • The Abortion Monologues (2022)
      • 2022 Pink Tie Gala
    • 2023-2024 >
      • Stolen Sisters
      • Rainbow Tie Gala
      • Precariously Placed: Pandemic Monologues from the Edge
    • 2024-2025 >
      • Today I...
      • Year of the Arts Women's Play Festival >
        • Reviews & Recaps
        • Opening Night
        • Night Two
        • Night Three
        • Night Four
        • Night Five
        • Night Six
        • Night Seven
        • Night Eight
        • Night Nine
        • Night Ten
        • Night Eleven
        • Closing Night
      • Goodbye Glass Ceiling - An Election Night Celebration
      • 8th Annual Pink Tie Gala >
        • Pink Tie Gala Programme
    • 2025-2026 >
      • Raise Her Up - The Gosling Statue >
        • Raise Her Up: June 18
        • Project Newsletter Apr 2024
        • Armine Nutting Gosling Statue project updates
        • Donate to #RaiseHerUp
        • Purchase Statue Miniature
  • Blog
  • Contact & Location