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Reviews & Recaps from the Women's Play Festival

Friendship and Foolishness

9/20/2024

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Night three at the Year of the Arts Women’s Play Festival featured The Importance of Being Foolish, written and performed by Amy House and Berni Stapleton.

It’s hard to go higher than these two when it comes to women influential in the development of Newfoundland theatre. Amy is a sought-after performer and playwright, and has and continues to be an important cultural advocate and builder. Berni has a large and impressive playwrighting catalogue with over forty works produced nationally and internationally and, like Amy, has been and continues to be a staunch advocate for women’s issues. As Berni said in the opening comments before the show tonight, “As a matter of fact, when we first began writing about women’s issues, we didn’t even have names for the issues.”

Berni and Amy met in 1982 at the Stephenville Festival, appearing in The Importance of Being Earnest. Over the last 40 years, both together and apart, they have been integral in the development of the province’s cultural mosaic. They are shining examples of longevity and adaptability and have built serious careers in the arts …in large part by not being serious at all.

The Importance of Being Foolish is a retrospective of sorts, playfully looking at their lives, their bodies of work, their personal quirks, and their enduring partnership. In the play, we zoom ahead in time and meet Amy and Berni as retired, unemployed and more than slightly forgetful seniors living in Lady Mackerel’s Retirement Home for Lesser Known Actors. I would love to have seen this performance with all the bells and whistles of costumes and props; characters and moments across a lifetime flew by with Amy and Berni’s characteristic wit and pearls of wisdom faster than I could keep up sometimes!

I don’t remember the first time I saw their iconic fish plant workers, but the beauty of that comedic duo was how effectively they used humour to open our eyes to socio-political issues and raise up the voices of women working in the fishery.  

I think what will stick with me the most from this play, however, is the importance of friendship. 

​Anyone who is lucky enough to have a lifelong friend has probably imagined what they’re going to be like when they “wind up sharing a room in the Home.” If you’re Berni and Amy, that becomes a lovely performance piece.

Night four features
A Retrospective, produced by Rising Tide Theatre. If you’re a young artist looking to build a career in the theatre, I encourage you not to miss this show. This event features the works of some of the great female playwrights from our past and our present (including both Amy and Berni!)  and explores how these playwrights brought the voices of past into the present to reflect on how the world has – and has not – changed.


​See you at 7 p.m.


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    About Susan Bonnell 

    Susan Bonnell is Vice-President of Theatre CBS and an active community theatre performer and director in the St. John's area.

    Recently, she wrote and directed Duckish, an adaptation of Tom Dawe's ghost and fairy stories for Theatre CBS. In 2023, she was awarded Best Actress at the Provincial Drama Festival for her portrayal of Annie in Calendar Girls (St. John's Player's). This winter, she is directing A Christmas Story for TCBS. Susan is the Director of Public Engagement and External Relations for NL Health Services.

    She is proud to have been a small part of the herstory for Persistence and is looking forward to sharing her reflections on the Year of the Arts Women’s Play Festival.

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St. John’s is home to a rich, diverse, and vibrant urban Indigenous community. Located on the ancestral and unceded territory of the Beothuk, the lands and waters in and around the City have traditionally served as a gathering place for the Mi’kmaq. The broader region of Newfoundland and Labrador continues to be home to diverse Indigenous Peoples, including First Nations, Inuit, and Métis. We honour and pay respect to the past, present, and future caretakers of these territories.

We also must acknowledge the labour theft extracted from people of African descent, used to build European wealth and economies globally, and in the Canadian nation state, including Newfoundland and Labrador’s shipbuilding and cod fishery industries, through the violence of trans-Atlantic enslavement.

We thank both First Light and the office of the Vice-Provost of Equity, Diversity, Inclusion and Anti-Racism at Memorial University for crafting and sharing these words that provide us with important perspectives.

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  • Home
  • Opportunities
  • Raise Her Up - The Gosling Statue
    • Statue Supporters
    • Armine Nutting Gosling Statue project updates
    • Purchase Statue Miniature
    • Project Newsletter Apr 2024
    • Donate to #RaiseHerUp
  • The Nest
  • About Us
    • About
    • Staff & Governance >
      • Board Bios
    • In The News
  • Donate
    • Join the Ceiling Breakers Circle
    • Donate to PerSIStence
    • Persistence Supporters
  • Past Projects
    • 2017-2018 >
      • Isle of Demons (Sept 2017)
      • Pink Tie Gala (2017)
      • Offensive to Some (Dec 2017)
      • Women Playing Hamlet (Feb 2018)
      • Isle of Demons (April 2018)
      • Play Workshops
    • 2018-2019 >
      • Pink Tie Gala (2018)
      • Original (Nov 2018)
      • Offensive to Some (Jan 2019)
    • 2019-2020 >
      • The Abortion Monologues (2019)
      • Pink Tie Gala (2019)
      • The Haunting of Margaret Duley >
        • Teacher's Guide
        • Workshops with Edward Daranyi
      • Working with Respect Conference
    • 2020-2021 >
      • Original (2021) >
        • Programme
      • Offensive to Some (2021) >
        • Programme
      • What Hangs in the Balance (2021)
      • I AM A GENIUS DOES ANYONE HERE KNOW ME? (2021)
    • 2021-2022 >
      • Votes for Women 100
      • Pink Tie Gala (2021)
    • 2022-2023 >
      • The Abortion Monologues (2022)
      • 2022 Pink Tie Gala
    • 2023-2024 >
      • Stolen Sisters
      • Rainbow Tie Gala
      • Precariously Placed: Pandemic Monologues from the Edge
    • 2024-2025 >
      • Today I...
      • Year of the Arts Women's Play Festival >
        • Reviews & Recaps
        • Opening Night
        • Night Two
        • Night Three
        • Night Four
        • Night Five
        • Night Six
        • Night Seven
        • Night Eight
        • Night Nine
        • Night Ten
        • Night Eleven
        • Closing Night
      • Goodbye Glass Ceiling - An Election Night Celebration
      • 8th Annual Pink Tie Gala >
        • Pink Tie Gala Programme
  • Blog
  • Contact & Location